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LES FILMS DE LA PASSERELLE
DOCUMENTARY PRODUCTION
The Hayflick Limit - by Thomas Licata
Actus
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OUR FILMS
APRÈS LA PLUIE
THE HAYFLICK LIMIT
KILLING DEATH
L'ACIER A COULÉ DANS NOS VEINES
QUEERYING NATURE
ESPORT : WORLD OF GAMERS
CITIZEN TRIBUNAL
CLOSING WORDS
THE EMPIRE OF SILENCE
CHINA DREAM
LAST RESORTING HIGH SCHOOL
THE LADIES' DELIGHT?
I USED TO LIKE THE SEA
JOHN COCKERILL
CHILDREN OF CHANCE
LA ROSE ET LES ÉPINES
YOUNG SOLOISTS, GREAT DESTINIES
CHARLES VANDENHOVE
THE 3 PLEDGES
THE MAN OF SAND
NESTLÉ LE GOÛT DE L'AFRIQUE
THE KOREAN MUSIC MYSTERY
KATANGA THE WAR FOR COOPER
MÉTAMORPHOSE D'UNE GARE
THE MAN WHO RESTORES THE WOMEN
LITTLE MISS NOBODY
MOÏSE KATUMBI
THE CHEBEYA AFFAIR
MEMOIRE DU CONGO-ZAÏRE
JACQUES CHARLIER
THE DIVISION OF AFRICA -BERLIN 1885
KATANGA BUSINESS
SINGING NUN
SŒUR SOURIRE :
HISTOIRE D'UN TOURNAGE
ORE AND LORE
A MINE OF WORRIES IN KATANGA
Toots Thielemans,
l’incroyable destin d’un ketje de Bruxelles
AFGHANISTAN, TIME OF WOMEN
SANTA FE STREET
MRCHANTS OF MIRACLES
SHOOTING DIARY, THE MAKING OF COMGO RIVER
CONGO RIVER
AGUAVIVA
PARABOLA
LES ORIGINES DU SIDA
SALVADOR ALLENDE
IRAN, VEILED APPAREARANCES
CHESS WAR
RENDEZ-VOUS A HOUNDODJI
THE PINOCHET CASE
CHERCHEURS ENTRE REVE ET REALITE
EL BATALETT, WOMEN OF THE MEDINA
BEN BARKA : THE MOROCCAN EQUATION
A FEMALE CABBY IN SIDI BEL-ABBES
SUCRE AMER
MOBUTU, KING OF ZAÏRE
L'ARC-EN-CIEL ECLATE
GUINEA SAID NO
GAUGUIN, UN GOUT BARBARE
ALICE GUY, OU L'ENFANCE DU CINEMA
DONKA, RADIOSCOPY OF AN AFRICAN HOSPITAL
TABU, FINAL VOYAGE
MECHANISED WOMEN
NOSTALGIES POST-COLONIALES
THE LAST COLONIALS
AID FOR SOMALIA : A LOSING BATTLE
ZAÏRE, THE CYCLE OF SERPENT
FROM THE GRASS ROOTS
GOSSES DE RIO
EMERGENCY EXIT
MANSION
WINTER OF 1960
CHRONIQUE DES SAISONS D'ACIER
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ABOUT LES FILMS DE LA PASSERELLE
Founded in 1984, Les Films de la Passerelle quickly turned its attention to the creation of documentaries dealing with social issues (prisons, respect for workers' rights, etc.), humanitarian issues (African hospitals) and political issues (human rights). A desire to raise awareness through ongoing reflection on North/South relations (Street kids in Brazil, etc.).
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